oberhausen film festival

The image of a woman blowing a kiss repeats ad infinitum in Jolanta Marcolla’s Kiss (1975). Taking place from May 13–18, 2020, at the height of the COVID-19 pandemic, this year’s festival was an online affair, and there’s no way to discuss the event without this radical format taking center stage. The International Short Film Festival Oberhausen is now inviting submissions to its 65 th edition, which will take place in Oberhausen from 1 to 6 May, 2019. Share on linkedin. The 65th International Short Film Festival Oberhausen will open on 1 May 2019 at 7.30 p.m. in the Lichtburg Filmpalast in Oberhausen with around 400 international guests from politics, culture and film. Though not the very first film festival in the Coronavirus era to shift into the virtual realm (earlier instances included CPH:DOX and the Ann Arbor Film Festival), Oberhausen was certainly in the first wave, which is to say that planning for the festival was far advanced when disaster struck. Oberhausen (/ ˈ oʊ b ər h aʊ z ən /, German: [ˈoːbɐhaʊzn̩] ) is a city on the river Emscher in the Ruhr Area, Germany, located between Duisburg and Essen (c. 13 km or 8.1 mi). Taking place from May 13–18, 2020, at the height of the COVID-19 pandemic, this year’s festival was an online affair, and there’s no way to discuss the event without this radical format taking center stage. Musing on the town’s decision to stop the practice of burning effigies of women, while allowing the fire and all the other trappings of the ritual to remain, Kirchenbauer asks, “I wonder whether violence decreases once its image is removed, or if it does its work even better, invisibly.” It’s hard to think of a question more germane to the present moment, a time of reckoning with the persistence of deeply entrenched racism and injustice during a supposedly postracial era. In case you can't find the confirmation mail, please check your spam folder. True, the launch of the festival on the evening of May 13 was marked by an immediate server meltdown. For Would You Like to Meet Your Neighbor? The film premièred in 1961 at what would become the showcase for the new generation of German filmmakers, the Westdeutsche Kurzfilmtage (now known as the International … From the evidence of the seven films presented at Oberhausen, Plaat’s films fall into two broad categories: highly stylized, gleefully campy, and extravagantly performative works, and travelogues constructed from footage gathered during his journeys in far-flung regions of the globe. Launched in 1995, relentlessly connecting films to festivals, reporting and promoting festivals worldwide.. A brand new website will soon be available. I share my thoughts on my favorite Asian films presented at the 66th International Short Film Festival Oberhausen, which took place from May 13th to 19th via Online. It seemed that everywhere you looked in Oberhausen 2020’s lineup you found films that spoke to (forcibly) vanished peoples and histories, and in many of these instances this phenomenon was seen through the lens of landscapes. The always-invaluable Archives section—which showcases the collections and preservation projects of various international film archives—included an extraordinary program presented by the Polish organization, Fundacja Arton, focusing on experimental video artists in Poland in the mid-to-late 1970s. Well over 2,500 festival passes were sold in around 60 countries, over 1,000 trade visitors from almost 70 countries attended the online festival. In Kirchenbauer’s hands, these invisible waves evoke the multitude of ways in which our lives and identities—and in particular the lives and identities of those whose sexuality or gender lie outside the boundaries of mainstream mores—are refracted through unseen cultural prisms. And once again this (racial) exclusion is expressed largely through images of the (coded) landscape. Daves and his films were honored at the Oberhausen Film Festival in Germany in 1972. The city hosts the International Short Film Festival Oberhausen and its Gasometer Oberhausen is an anchor point of the European Route of Industrial Heritage. The Festival organises five competitions: International, German, films from North Rhine-Westphalia, International Children’s and Youth Films and the MuVi Award for the best German music video. For further information on the International Short Film Festival Oberhausen, visit here. Award winners (Screening 23rd of October) Limerence (Yves Tumor) Oliver Pietsch, Germany 2018 No dialogue, 5’30’’ Hirografo( Manuscript) But Plaat’s taste for the flamboyant and expressive animates the travelogues as well, even if here it manifests in other ways, especially through the exaggerated, lopsided compositions. Oberhausen is the world’s oldest short film festival and in the meantime also enjoys an excellent standing in the art scene, where short films and videos play an increasingly important role today. So far I’ve focused on the contemporary films in Oberhausen’s lineup. On the other hand, the social dimension is much more than simply a distraction, it’s a crucial part of what makes festivals important and valuable. Thirza Cuthand’s Less Lethal Fetishes is a wry but pointed take on the protests that erupted at last year's Whitney Biennial. Gathering together ten short video works, the program was illuminating on multiple levels. From today’s perspective it’s a joy to behold if only for its glimpses into the daily lives, fashions, and gestures of 1980s New Yorkers. In particular, the movement to oust Kanders put already disempowered and marginalized artists like Cuthand in the untenable position of feeling obligated to support the protest by potentially sacrificing the biggest break they had ever achieved in the art world. But they do connect to the other films in certain ways. Most of the films in the selection fell into the first category—these are unmistakably in the tradition of Jack Smith and Andy Warhol, with their loving, happily threadbare subversion of Hollywood glamour and the tropes of melodrama, and the use of actors in drag, who perform directly to the camera. They are reminiscent of the films of Warren Sonbert, both in their structure (constructed of fragments of footage organized visually and rhythmically rather than chronologically or geographically), and in their exquisite compositional beauty and editing patterns. As artists are increasingly fascinated by analogue technology, it finds its way into museums and galleries more and more often. But not far below the surface is a fascinating exploration of shared urban space, and of the invisible but complicated dynamics of personal and social interaction within these spaces. Isabel Pfeiffer-Poensgen, Minister for Culture and Science of North Rhine-Westphalia, Daniel Schranz, Lord Mayor of the City of Oberhausen, and Lars Henrik Gass, Director of the International Short Film Festival Oberhausen, will speak at the opening. It’s an exemplary instance of the genre, not least of all because Wagner resists the temptation to reduce the men (and at this particular factory, the workers are indeed exclusively male) to anonymous components of a mechanical process and a cinematic spectacle. Oberhaus The festival his always on the lookout for new developments, whether technological or aesthetic, for new cinematographies and borderline areas of cinematic experience. With 59 entries the International… It is held annually in Oberhausen, Germany. Even more striking were the associations called to mind by Jadwiga Singer’s Destruction (Destrukcja, 1978). The festival focuses on innovative, artistic short films, paying special attention to new technical … Founded in 1954 as the Westdeutsche Kulturfilmtage – the West German Culture Film Festival – the International Short Film Festival Oberhausen recently celebrated its 60th anniversary, and continues to screen work which pushes boundaries, challenges the cinematic establishment and gives a platform to new, exciting short filmmakers from around the globe. Each program was made available for forty-eight hours—a perfect period, providing plenty of time to design one’s own schedule but short enough to give each day the flavor of a special event. This method contributes to a constant rhythm of viewing, closer to the regular dynamics during Film Festivals. The Oberhausen International Short Film Festival was founded in 1954 and is the oldest and largest short film forum in the world. For one thing, by the evidence of the Oberhausen selection, female artists were central to mid-1970s Polish video art—all ten of the works included in the program were by female makers. IMDb, the world's most popular and authoritative source for movie, TV and celebrity content. Jenny Brady's Receiver is a structurally ambitious film about communication and miscommunication. Share on email. It’s more unmistakably a feature of Second War Hats, with its cast of cross-dressing, lavishly made-up and attired models buried up to their necks (à la Beckett) against a backdrop of burning, bombed-out buildings. Location Echo Park Film Center 1200 N. Alvarado Street Loas Angeles, CA 90026 United States + Google Map Wagner’s film is one of perpetual motion—the workers have to keep the glass cylinders moving continuously, revolving, swinging, or otherwise agitating them, all of it requiring a mutual coordination that makes the whole process resemble nothing so much as a dance performance. Even more than that, for those who travel to Oberhausen from outside Germany, or outside Europe, the festival represents an opportunity to step outside of our normal routines and work environments, and not only make professional connections but think in new ways that only different cultures and different contexts can inspire. Analogue film is still very much alive, despite many forecasts to the contrary. In a sense, Plaat finds an equivalence in the travelogue form for the heightened artificiality of his melodramas—he has such a remarkable eye and such an extraordinary command of cinematography that he finds the expressive, sensuous, and even glamorous qualities of his more constructed films in the landscapes he travels through and documents. A confirmation mail was sent to your mail address.. As Wagner portrays it, it’s hard to decide which is more extraordinary: the elemental physical materials and forces that are involved (glass in its molten and solid forms, but also the metal molds used to shape it, the heat and steam it emanates, the water used for cooling, and the air the workers force into the glass objects by means of hoses or their own lungs), or the intricate, hypnotic gestures and movements the workers employ to manipulate and form the glass. In the course of more than five decades, the International Short Film Festival Oberhausen has become one of the world's most respected film events - a place where filmmakers and artists ranging from Roman Polanski to Cate Shortland, from George Lucas to Pipilotti Rist have presented their first films. Seem from a certain perspective, Heather Trawick’s Isn’t It a Pity (USA, 2019), screened in the International Competition, is a perfect companion piece to keep shiftin’. A New York Subway Tape (USA, 1985), which was included as part of Electronic Arts Intermix’s Distributors screening. On the other hand, that Oberhausen could go forward at all was a testament to the technological tools available in the twenty-first century, and above all to the tireless efforts and resilient adaptability of the festival’s organizers and curators. Composed of a combination of home movie footage, visually striking infrared/ultraviolet photography, pure color panels, and an enigmatic, seemingly fragmentary narration, the film uses the phenomena of unseen forces—namely infrared and ultraviolet light and microwave radiation—as a rich and flexible metaphor. A New York Subway Tape, Barbara Hammer interviewed subway riders. He was born in San Francisco and educated … America's leading magazine on the art and politics of the cinema. This program brings together some of the most interesting works from the 2019 International Competition of the Oberhausen Film Festival. Fingerprint Dive into the research topics of 'Creature Companion (Film): Screening, Oberhausen Film Festival, Germany, May 2018.'. Premiered at the Oberhausen Film Festival, where it received an honorable mention. Two other standout films at the festival represented masterful portraits of place. More than films are shared at a festival, especially one like Oberhausen that draws a particular international community of devotees of short and experimental cinema. In any case, it seems clear that some of the lessons learned during the online, pandemic edition of Oberhausen, and some of the new systems that made it possible for the festival to go forward and reach much broader audiences, may well be important tools for expanding the festival, even once the in-person event returns. The somewhat contentious topic of curation was at the forefront of the 62nd edition of the Oberhausen Short Film Festival. Filmchief is affordable, scalable and easy to use data management system for film festivals. In Ewa Partum’s TV Drawings (Rysunki telewizyjne, 1976), for instance, Partum uses a marker to draw directly on a TV screen, thereby transforming the psychologically and politically passive act of watching a television newscast into a matter of active engagement. Vika Kirchenbauer’s Untitled Sequence of Gaps (Germany, 2020), part of the Distributors program curated by Arsenal in Berlin, addresses questions of invisibility—of realms of experience and identity that the dominant culture often literally fails to perceive or recognize—in a more poetic, symbolic register. Share on pocket. Share on whatsapp. A conceptually inspired work, Destruction is (apparently) set in a nondescript interior of a house or apartment. And like Wagner, Trawick refuses to allow the human figures to be subsumed entirely into the spectacle, devoting parts of the non-sync soundtrack to the conversations and banter between the men and women of the derby (surprisingly, the demolition derby is not the all-male domain that the glass factory is—in fact, Trawick was initially drawn to film the scene thanks to the proliferation of female mechanics). The 66th International Short Film Festival Oberhausen will offer three workshops on analogue film this year, aimed at projectionists and filmmakers working with the material – and not least at children, where it can be a tool to introduce them to the haptic qualities of film. In other cases, the films themselves embody filmic (or videographic) gestures. 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